Monkeys
Monkeys
Tiago Galo
2025
By the artist: "They could be monkeys, or they could be any other creatures. In the end, it hardly matters. What’s here is the bond between a parent and its offspring – that absolute connection that makes the rest of the world shrink into mere background noise. The planet may be burning, life turned upside down, but in that moment, there is only this: a hug, a gesture of protection, and a banana."
Screen Printing on Ceramic / 3 colors
150 x 200 x 6 mm / 5.90 x 7.87 x 0.24 in (approx.)
Limited Edition of 15
Signed and Numbered
Material: White earthenware
Coating: Ceramic inks (3 colors)
Finish: Transparent glaze
Tiago Galo is a portuguese illustrator based in Lisbon. He started his work as an illustrator collaborating in small fanzines and exhibitions, before finishing his degree in architecture at Universidade Técnica de Lisboa. In 2011 wins the prize for best comic at the Amadora BD competition. After some years working as an architect he engaged in some kind of soul-searching wondering and returned to his work as an illustrator. In 2021 he was one of the Bologna Children´s Book Fair Illustration Exhibition Winners. Currently he works as a freelance animator and illustrator. More information: https://tiagogalo.com/

Monkeys
SCREEN PRINTING MEETS CERAMICS
SCREEN PRINTED WITH CERAMIC INKS
Find out more about the production of this edition

WITH PORTUGUESE WHITE EARTHENWARE
FROM PLASTIC TO GLAZEWARE
Each tile is made one by one, with the slab technique, which involves rolling out the clay into flat pieces, using a slab roller.
Throughout the entire process, theres a lot of testing, cutting, waiting, handling, pressing, shelving and frequent follow-up, all of which require great care and patience.
Before printing with ceramic inks, each tile undergoes a bisque firing.

AFTER THE FIRST FIRING
BISQUE STAGE
In this edition, after the bisque firing, the tiles are printed with ceramic inks (one color at a time) and then glazed. Or the other way around.
With screen printing it's possible to print directly onto the clay, at various stages, using different types of coatings, resulting in diverse aesthetics.
In this collection, we use more than one process.

MELTING THE GLAZE ONTO THE BISQUEWARE
FIRING OVER 1000°C
Besides the use of ceramic inks on this edition, every piece is finished with transparant glaze.
Before it's finished, each tile goes through two firings - bisque and glaze - at around 1000°C(1832°F). From closing to opening the kiln, each firing can last more than 24 hours.